{"id":685,"date":"2025-08-04T11:01:38","date_gmt":"2025-08-04T11:01:38","guid":{"rendered":"https:\/\/soledad.pencidesign.net\/soledad-time-magazine\/the-trump-administration-just-did-something-unambiguously-good-for-obamacare-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c\/"},"modified":"2025-08-08T10:50:30","modified_gmt":"2025-08-08T10:50:30","slug":"cokusun-parlaq-uzu-abbas-mammadovun-herasina-bir-baxis","status":"publish","type":"post","link":"https:\/\/cogito.az\/index.php\/2025\/08\/04\/cokusun-parlaq-uzu-abbas-mammadovun-herasina-bir-baxis\/","title":{"rendered":"\u00c7\u00d6K\u00dc\u015e\u00dcN PARLAQ \u00dcZ\u00dc: ABBAS M\u018fM\u018fDOVUN \u201cHERA\u201dSINA B\u0130R BAXI\u015e"},"content":{"rendered":"

Abbas M\u0259mm\u0259dovun Hera adl\u0131 tablosuna ilk bax\u0131\u015fda, kamilliyin soyuq bir \u0259ksi il\u0259 qar\u015f\u0131la\u015f\u0131r\u0131q. Hamarlanm\u0131\u015f bir s\u0259th, donuq amma ayd\u0131n bir ifad\u0259, z\u0259rif x\u0259tl\u0259rl\u0259 t\u0259svir olunmu\u015f bir qad\u0131n fiquru\u2026 R\u0259ssam bu \u0259s\u0259ri \u201cBuz Krali\u00e7as\u0131\u201d na\u011f\u0131l\u0131na istinadla yarad\u0131b; amma burada qar\u015f\u0131m\u0131za \u00e7\u0131xan sad\u0259c\u0259 donmu\u015f bir fiqur deyil, eyni zamanda i\u00e7\u0259rid\u0259n \u00e7\u00f6k\u0259n bir m\u0259nlikdir.<\/p>\n

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\u018fvv\u0259lc\u0259 fiqurun porselen kimi hamar d\u0259risi diqq\u0259ti c\u0259lb edir. Q\u00fcsursuz g\u00f6r\u00fcn\u0259n bu s\u0259th izl\u0259yicid\u0259 bir saxtal\u0131q hissi do\u011furur. \u201cBu, h\u0259qiq\u0259t\u0259n ger\u00e7\u0259k ola bil\u0259rmi?\u201d sual\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. M\u0259hz bu n\u00f6qt\u0259d\u0259 tablonun \u0259sas qat\u0131na ke\u00e7id ba\u015f verir: \u00e7atlar. S\u0259thin alt\u0131ndan \u00fcz\u0259 \u00e7\u0131xan par\u00e7alanm\u0131\u015f da\u015flar, s\u00fcm\u00fcy\u0259 b\u0259nz\u0259r q\u0131r\u0131nt\u0131lar, boza v\u0259 q\u0259hv\u0259yiy\u0259 \u00e7alan qab\u0131qlar\u2026 Bu \u00e7atlar sad\u0259c\u0259 estetik se\u00e7im deyil; bu, bir varolu\u015fun b\u0259yanat\u0131d\u0131r.<\/p>\n

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M\u0259mm\u0259dovun tablosundak\u0131 bu \u00e7atlama, m\u00fcasir insan\u0131n daxili al\u0259mini t\u0259svir etm\u0259k \u00fc\u00e7\u00fcn ustal\u0131qla istifad\u0259 olunub. K\u0259nardan bax\u0131ld\u0131qda parlaq, b\u00fct\u00f6v, \u00f6z\u00fcn\u0259 \u0259min v\u0259 dem\u0259k olar ki, tanr\u0131sal bir sur\u0259t; amma i\u00e7\u0259rid\u0259 ovulma\u011fa haz\u0131r q\u0131r\u0131q da\u015flar, s\u00f6nm\u00fc\u015f parlaql\u0131q, da\u015f\u0131mas\u0131 m\u00fcmk\u00fcn olmayan xatir\u0259 fraqmentl\u0259ri\u2026 R\u0259ssam burada h\u0259m f\u0259rdi, h\u0259m d\u0259 kollektiv yadda\u015fa toxunur: xatir\u0259l\u0259r, ya\u015fanm\u0131\u015f a\u011fr\u0131lar, x\u0259yal q\u0131r\u0131ql\u0131qlar\u0131, q\u00fcrurla b\u0259z\u0259diyimiz s\u00fcqutlar… B\u00fct\u00fcn bunlar sanki tablonun i\u00e7 qat\u0131ndan p\u00fcsk\u00fcr\u00fcr.<\/p>\n

Buradak\u0131 \u00e7atlama yaln\u0131z fiziki deyil, eyni zamanda \u0259xlaqi v\u0259 varolu\u015fsald\u0131r. Hera Yunan mifologiyas\u0131nda evliliyin v\u0259 nizam\u0131n tanr\u0131\u00e7as\u0131 kimi tan\u0131n\u0131r; s\u0259daq\u0259t, qaydalar v\u0259 institutlar\u0131n simvoludur. Amma M\u0259mm\u0259dovun Heras\u0131 i\u00e7\u0259rid\u0259n \u00e7atlay\u0131b, sars\u0131l\u0131b v\u0259 par\u00e7alanma\u011fa ba\u015flam\u0131\u015fd\u0131r. Bu tablo, q\u0259dim d\u00f6vrl\u0259rin tanr\u0131sal b\u00fct\u00f6vl\u00fck iddias\u0131n\u0131 g\u00fcn\u00fcm\u00fcz\u00fcn k\u00f6vr\u0259k f\u0259rdi reall\u0131\u011f\u0131 il\u0259 \u00fcz-\u00fcz\u0259 g\u0259tirir. Tanr\u0131\u00e7a fiquru art\u0131q tanr\u0131sal deyil; kobudcas\u0131na cilalanm\u0131\u015f, amma \u0259n ki\u00e7ik z\u0259rb\u0259 il\u0259 da\u011f\u0131lma\u011fa haz\u0131r.<\/p>\n

Tablo biz\u0259 postmodern d\u00fc\u015f\u00fcnc\u0259d\u0259 m\u00fczakir\u0259 olunan \u201cpar\u00e7alanm\u0131\u015f subyekt\u201d anlay\u0131\u015f\u0131na g\u00fccl\u00fc bir i\u015far\u0259 verir. Postmodern d\u00fc\u015f\u00fcn\u00fcrl\u0259r\u0259 g\u00f6r\u0259, modern subyekt xaricd\u0259n b\u00fct\u00f6v bir obraz kimi g\u00f6r\u00fcn\u0259 bil\u0259r, amma daxilind\u0259 \u00e7atlam\u0131\u015f, k\u00f6vr\u0259k v\u0259 ziddiyy\u0259tli bir qurulu\u015fa malikdir. Jak Lakan\u0131n fikrinc\u0259, subyekt dilin strukturu daxilind\u0259 b\u00f6l\u00fcnm\u00fc\u015f, arzunun arxas\u0131nca s\u00fcr\u00fckl\u0259n\u0259n bir bo\u015fluqdur. Mi\u015fel Fuko subyekti sabit bir varl\u0131q deyil, diskurslar v\u0259 hakimiyy\u0259t m\u00fcnasib\u0259tl\u0259ri i\u00e7ind\u0259 daima yenid\u0259n qurulan bir konstruksiya kimi g\u00f6r\u00fcr. Pol Rik\u00f6r is\u0259 subyekti \u00f6z hekay\u0259si vasit\u0259sil\u0259 b\u00fct\u00f6vl\u00fck qurma\u011fa \u00e7al\u0131\u015fan, lakin daxili qar\u015f\u0131durmalarla dolu bir varl\u0131q kimi d\u0259y\u0259rl\u0259ndirir.<\/p>\n

M\u0259mm\u0259dovun Hera tablosundak\u0131 fiqur, bu n\u0259z\u0259ri m\u00fcbahis\u0259l\u0259rin vizual qar\u015f\u0131l\u0131\u011f\u0131 kimi \u00e7\u0131x\u0131\u015f edir. \u00c7atlar yaln\u0131z fiziki deyil; yadda\u015f\u0131n, arzunun, kimliyin v\u0259 zaman\u0131n \u00e7atlar\u0131d\u0131r. V\u0259 bu \u00e7atlar aradan qald\u0131r\u0131lmal\u0131 olan q\u00fcsurlar deyil, \u0259ksin\u0259, insan\u0131n \u00f6z h\u0259qiq\u0259ti il\u0259 \u00fcz-\u00fcz\u0259 g\u0259ldiyi a\u00e7\u0131q sah\u0259l\u0259rdir. Subyektin bu k\u00f6vr\u0259k, amma davaml\u0131 duru\u015fu, m\u00fcasir z\u0259f\u0259r v\u0259 t\u0259mizlik anlay\u0131\u015f\u0131na qar\u015f\u0131 postmodern bir iddia ir\u0259li s\u00fcr\u00fcr: Q\u00fcsursuz g\u00f6r\u00fcnm\u0259y\u0259 \u00e7al\u0131\u015fark\u0259n i\u00e7\u0259rid\u0259n \u00e7\u00f6k\u0259n insan fiquru, b\u0259lk\u0259 d\u0259, onun \u0259n s\u0259mimi hal\u0131d\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abbas M\u0259mm\u0259dovun Hera adl\u0131 tablosuna ilk bax\u0131\u015fda, kamilliyin soyuq bir \u0259ksi il\u0259 qar\u015f\u0131la\u015f\u0131r\u0131q. Hamarlanm\u0131\u015f bir s\u0259th,…<\/p>\n","protected":false},"author":5,"featured_media":1837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[40],"tags":[42,43,41],"class_list":["post-685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat","tag-abbas-mmmdov","tag-hera","tag-snt"],"_links":{"self":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":5,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"predecessor-version":[{"id":1844,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/685\/revisions\/1844"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/media\/1837"}],"wp:attachment":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}