{"id":684,"date":"2025-08-08T11:50:15","date_gmt":"2025-08-08T11:50:15","guid":{"rendered":"https:\/\/soledad.pencidesign.net\/soledad-time-magazine\/the-trump-administration-just-did-something-unambiguously-good-for-obamacare-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c-c\/"},"modified":"2025-08-08T11:58:27","modified_gmt":"2025-08-08T11:58:27","slug":"hamletin-diger-uzu-rengli-bir-quru-kelle-ve-arzu-haqqinda","status":"publish","type":"post","link":"https:\/\/cogito.az\/index.php\/2025\/08\/08\/hamletin-diger-uzu-rengli-bir-quru-kelle-ve-arzu-haqqinda\/","title":{"rendered":"HAMLET\u2019\u0130N D\u0130G\u018fR \u00dcZ\u00dc: R\u018fNGL\u0130 B\u0130R QURU K\u018fLL\u018f ve ARZU HAQQINDA"},"content":{"rendered":"

Miraz\u0259r Abdullan\u0131n Hamlet adl\u0131 tablosu, \u015eekspirin m\u0259\u015fhur faci\u0259sinin \u0259n tan\u0131nm\u0131\u015f simvollar\u0131ndan birin\u0259 \u2014 Hamletin \u0259lind\u0259 tutdu\u011fu k\u0259ll\u0259y\u0259 \u2014 radikal bir m\u00fcdaxil\u0259 edir. Amma bu m\u00fcdaxil\u0259 yaln\u0131z formal deyil: m\u0259na m\u0259rk\u0259zin\u0259, arzunun \u00f6z\u00fcn\u0259 toxunur.<\/p>\n

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R\u0259smd\u0259 ilk bax\u0131\u015fda diqq\u0259ti \u00e7\u0259k\u0259n m\u0259qamlardan biri fiqurlar\u0131n parlaql\u0131\u011f\u0131 v\u0259 f\u0131r\u00e7a z\u0259rb\u0259l\u0259rinin canl\u0131l\u0131\u011f\u0131d\u0131r. Bu z\u0259rb\u0259l\u0259r tabloyu klassik m\u0259nada “\u00f6l\u00fc” bir s\u0259th olmaqdan \u00e7\u0131xar\u0131r; r\u0259sm sanki n\u0259bzi d\u00f6y\u00fcn\u0259n bir orqanizm\u0259 \u00e7evrilir.<\/p>\n

Tablonun toxumas\u0131nda yer alan s\u00fcr\u0259tli v\u0259 q\u0131sa f\u0131r\u00e7a toxunu\u015flar\u0131 \u2014 eynil\u0259 Damien Hirstin Veil Paintings seriyas\u0131nda oldu\u011fu kimi \u2014 izl\u0259yicid\u0259 h\u0259r\u0259k\u0259t ill\u00fcziyas\u0131 yarad\u0131r. Lakin Hirstin \u0259s\u0259rl\u0259rind\u0259ki k\u00fctl\u0259vi seriya istehsal\u0131n\u0131 xat\u0131rladan t\u0259krarlardan f\u0259rqli olaraq, Abdullan\u0131n tuval\u0131na toxunan f\u0131r\u00e7a f\u0259rdi, orijinal v\u0259 son d\u0259r\u0259c\u0259 canl\u0131d\u0131r.<\/p>\n

Tablonun m\u0259rk\u0259zind\u0259 iki fiqur yerl\u0259\u015fir. Bir t\u0259r\u0259fd\u0259 k\u0259ll\u0259y\u0259 b\u0259nz\u0259y\u0259n, lakin r\u0259ngar\u0259ng dokusu il\u0259 h\u0259yat\u0131n i\u00e7ind\u0259 canl\u0131 bir b\u0259d\u0259ni hayq\u0131ran fiqur; dig\u0259r t\u0259r\u0259fd\u0259 is\u0259 g\u00f6zl\u0259ri ba\u011fl\u0131, sanki daxili d\u00fcnyas\u0131na \u00e7\u0259kilmi\u015f ba\u015fqa bir \u00fcz. Klassik Hamlet t\u0259svirl\u0259rind\u0259 k\u0259ll\u0259 \u00f6l\u00fcm\u00fcn, ke\u00e7mi\u015fin v\u0259 \u00e7\u00fcr\u00fcm\u0259nin simvoludur. Amma burada bu kli\u015fe da\u011f\u0131d\u0131l\u0131r. R\u0259ngli k\u0259ll\u0259 obraz\u0131 biz\u0259 deyir: dan\u0131\u015fan \u00f6l\u00fcm deyil, arzudur.<\/p>\n

Tablonun zirv\u0259sind\u0259, iki fiqurun ba\u015flar\u0131n\u0131n \u00fcz\u0259rind\u0259 yerl\u0259\u015f\u0259n alma fiquru, s\u0259thd\u0259 sad\u0259 bir simvol kimi g\u00f6r\u00fcns\u0259 d\u0259, da\u015f\u0131d\u0131\u011f\u0131 m\u0259na qatlar\u0131 d\u0259rin v\u0259 \u00e7ox\u015fax\u0259lidir. Mifologiyadan bu g\u00fcn\u0259 q\u0259d\u0259r alma ad\u0259t\u0259n bilik, arzu, qada\u011fa v\u0259 b\u0259z\u0259n d\u0259 s\u00fcqutun (d\u00fc\u015f\u00fc\u015f\u00fcn) simvolu kimi qar\u015f\u0131m\u0131za \u00e7\u0131x\u0131r.<\/p>\n

\"\"<\/p>\n

Alma h\u0259m bir m\u0259saf\u0259, h\u0259m d\u0259 bir ba\u011fd\u0131r. H\u0259m ay\u0131r\u0131r, h\u0259m d\u0259 birl\u0259\u015fdirir. \u018fg\u0259r Lakan terminologiyas\u0131 il\u0259 des\u0259k, bu alma arzu obyekti deyil; \u0259ksin\u0259, arzunu do\u011furan bo\u015fluqdur, \u00e7at\u0131\u015fmazl\u0131qd\u0131r. \u0130ki fiqurun ba\u015flar\u0131 aras\u0131nda dayanan alma, onlar\u0131n bir-birl\u0259rin\u0259 y\u00f6n\u0259lm\u0259sini tetikleyen, lakin he\u00e7 vaxt h\u0259qiq\u0259t\u0259n \u00e7ata bilm\u0259y\u0259c\u0259kl\u0259ri bir \u015feydir.<\/p>\n

Bu iki fiqurun \u00fcz-\u00fcz\u0259 g\u0259li\u015fi bir qar\u015f\u0131durman\u0131 deyil, bir qar\u015f\u0131la\u015fman\u0131 ifad\u0259 edir. Amma bu qar\u015f\u0131la\u015fma s\u0259thi bir dialoq deyil. G\u00f6zl\u0259ri ba\u011fl\u0131 olan fiqur sanki arzunun m\u0259nb\u0259yin\u0259 \u00e7at\u0131b \u2014 aram v\u0259 sakit. Lakin bu sad\u0259c\u0259 bir ill\u00fcziyad\u0131r. \u00c7\u00fcnki arzunun t\u0259bi\u0259ti etibaril\u0259 insan he\u00e7 vaxt h\u0259qiq\u0259t\u0259n doymaz. Arzu bir m\u0259qs\u0259d\u0259 \u00e7atmaq \u00fc\u00e7\u00fcn deyil; onun \u00f6z\u00fc h\u0259r\u0259k\u0259tdir, bir natamaml\u0131q hal\u0131d\u0131r. Jak Lakan\u0131n da dediyi kimi, arzu obyekt\u0259 deyil, arzunun \u00f6z\u00fcn\u0259 y\u00f6n\u0259lmi\u015fdir. Bu s\u0259b\u0259bl\u0259, burada izl\u0259yiciy\u0259 sakit g\u00f6r\u00fcn\u0259n \u00fcz, \u0259slind\u0259 i\u00e7ind\u0259ki arzunun susmayan s\u0259sini susturma\u011fa \u00e7al\u0131\u015f\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Miraz\u0259r Abdullan\u0131n Hamlet adl\u0131 tablosu, \u015eekspirin m\u0259\u015fhur faci\u0259sinin \u0259n tan\u0131nm\u0131\u015f simvollar\u0131ndan birin\u0259 \u2014 Hamletin \u0259lind\u0259 tutdu\u011fu…<\/p>\n","protected":false},"author":5,"featured_media":1847,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[40],"tags":[44,41],"class_list":["post-684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat","tag-hamlet","tag-snt"],"_links":{"self":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/comments?post=684"}],"version-history":[{"count":2,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/684\/revisions"}],"predecessor-version":[{"id":1851,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/posts\/684\/revisions\/1851"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/media\/1847"}],"wp:attachment":[{"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/media?parent=684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/categories?post=684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cogito.az\/index.php\/wp-json\/wp\/v2\/tags?post=684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}